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The Graveyard Book
By Neil Gaiman
Illustrated by Dave McKean
On Sale: 9/30/2008
“The boundaries are always there—between the graveyard and the world beyond, between life and death, and the crossing of them.” - Neil Gaiman Nobody Owens, known to his friends as Bod, is a normal boy. He would be completely normal if he didn’t live in a sprawling graveyard, being raised and educated by ghosts, with a solitary guardian who belongs to neither the world of the living nor of the dead. There are dangers and adventures in the graveyard for a boy—an ancient Indigo Man beneath the hill, a gateway to a desert leading to an abandoned city of ghouls, the strange and terrible menace of the Sleer. But if Bod leaves the graveyard, then he will come under attack from the man Jack—who has already killed Bod’s family. . . .
“The boundaries are always there—between the graveyard and the world beyond, between life and death, and the crossing of them.” - Neil Gaiman
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“This book is wonderful with an appreciation of all life – dead and not – and celebrates differences and likenesses. Gaiman’s characters are strong, believable, and very interesting. The quirky sense of humor, the unusual setting, and everything else was wonderful. I loved this book! “ — Susan (North Little Rock, AR)
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“This is one of the most thrilling, and enchanting books I have read in some time. A charming tale that will keep readers young and old turning the pages to find out what happens next.” — Daniel (Fall River, MA)
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“Bod is an unusual boy…this only touches on the adventure and odd nature of this story. Neil Gaiman takes an idea that could go well beyond horror and haunting and creates a compelling story. Can a boy raised by ghosts face the dangers of the living world? Read this book and find out!” — Susan (Saint Paul, MN)
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“The Graveyard Book is an excellent book, full of adventure and mystery. Neil Gaiman skillfully creates a world where the dead sleep and dream in solitude, oblivious to the outside world until a tiny baby crawls in their cemetery to stay. The line between living and dead blurs in the baby’s eyes as he is re-named Bod and grows up amongst the tombstones, fed by a vampire (who is also his guardian) and taught lessons by ghosts and a werewolf. Fast paced and highly enjoyable, I did not want to put this book down.” — Suzi (San Jose, CA)
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“I read this book on a stormy night and shivered as I turned each page. I can’t wait for another stormy night to read it again.” — Victoria (Brooklyn, IN)
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“Gaiman has a true gift for narrative and a delightfully light touch, and there are humorous details along with spine-chilling ones. YAs will race through this fine tale and enjoy every magical, creepy moment.” — KLIATT (Starred Review)
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“Wistful, witty, wise—and creepy. This needs to be read by anyone who is or has ever been a child.” — Kirkus Reviews (Starred review)
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“Gaiman writes with charm and humor, and again he has a real winner.” — Voice of Youth Advocates (VOYA) (Starred Review)
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“An utterly captivating tale…this is a rich story with broad appeal and is highly recommended for teens of all ages. ” — Booklist (Starred Review)
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“This is, quite frankly, the best book Neil Gaiman has ever written. How he has managed to combine fascinating, friendly, frightening and fearsome in one fantasy I shall never know, but he has pulled it off magnificently - perfect for Halloween and any other time of the year.” — Diana Wynne Jones, author of The Chronicles of Chrestomanci
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“I wish my younger self could have had the opportunity to read and re-read this wonderful book, and my older self wishes that I had written it.” — Garth Nix, author of The Abhorsen Trilogy
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“It takes a graveyard to raise a child. My favorite thing about this book was watching Bod grow up in his fine crumbly graveyard with his dead and living friends. The Graveyard Book is another surprising and terrific book from Neil Gaiman.” — Audrey Niffenegger, author of The Time Traveler's Wife
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“After finishing The Graveyard Book, I had only one thought — I hope there’s more. I want to see more of the adventures of Nobody Owens, and there is no higher praise for a book.” — Laurell K. Hamilton, author of the Anita Blake: Vampire Hunter novels
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“The Graveyard Book is endlessly inventive, masterfully told and, like Bod himself, too clever to fit into only one place. This is a book for everyone. You will love it to death.” — Holly Black, co–creator of The Spiderwick Chronicles
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“The Graveyard Book manages the remarkable feat of playing delightful jazz riffs on Kipling’s classic Jungle Books. One might call this book a small jewel, but in fact it’s much bigger within than it looks from the outside.” — Peter S. Beagle, author of The Last Unicorn
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“The Graveyard Book is everything everyone loves about Neil Gaiman, only multiplied many times over, a novel that showcases his effortless feel for narrative, his flawless instincts for suspense, and above all, his dark, almost silky sense of humor.” — Joe Hill, author of Heart–Shaped Box
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“The Graveyard Book confirms what I’ve always thought: Neil Gaiman is a literary genius!” — James Herbert, author of The Secret of Crickley Hall
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Library of Congress National Book Festival
Saturday,
11:45am-3:00pm
The Mall
Washington D.C.
Talk/Reading: 11:45am - 12:15pm, Teens & Children Pavilion
Signing: 1:00pm - 3:00pm, Tent #16
http://www.loc.gov/bookfest/
New York
Tuesday,
7:00pm
Teachers College at Columbia University
Horace Mann Auditorium
525 W. 120th Street
New York, NY 10027
908-991-2153
Chapter 1 Reading
Hosted by Barnes & Noble College. Event is free and open to the public, no
tickets needed. Pre-signed books will be available for purchase.
Philadelphia
Wednesday,
6:00pm
Levitt Auditorium in the Gershman Y
401 South Broad Street
Philadelphia, PA 19102
215-568-7400
Chapter 2
Reading
Hosted by Borders. Event is free and open to the public, no tickets
needed. Pre-signed books will be available for purchase.
Chicago
Thursday,
6:00pm
6pm Tivoli Theatre, hosted by Andersons Bookshop
5021 Highland Ave
Downers Grove, IL 60515
630-355-2665
Chapter 3
Reading
The venue is beautifully restored 1920s movie palace with seating for 1000. To
attend this event, pre-purchase a copy of Neil Gaiman's latest - The Graveyard
Book - and a $5.00 event ticket. Autographed copies of the new book will be
reserved and waiting for all ticketholders. Neil Gaiman's presentation will be
followed by a screening of the film, Stardust.
Seattle
Friday,
7:00pm
Sponsored by the University Bookstore
206-545-4363
University Temple United Methodist Church
1415 NE 43rd St.
Seattle WA 98105
Chapter 4 Reading
Note: This venue seats 900. Tickets are free with the purchase of a Graveyard
Book voucher; otherwise tickets are $5.
Palo Alto
Saturday,
7:30pm
Spangenberg Theatre,
Gunn High School
780 Arastradero Rd.
Palo Alto, CA
Chapter 5 Reading
This venue seats 950. Event is free and open to the public, no tickets needed.
http://paclteens.blogspot.com/2008/08/neil-gaiman-is-coming-to-palo-alto.html
San
Francisco
Sunday, 3:00pm
Sundance Kabuki Theatre, sponsored by Booksmith
1881 Post Street at Fillmore
San Francisco, CA 94115
415-346-3243
Chapter 6 Reading
This venue seats 500. Tickets for this event cost $28.00, which includes
admission to the event and a signed first edition of the Graveyard Book ($19.52
value). Tickets available only at The Booksmith, in person, or by phone,
415-863-8688 or 800-493-7323.
Los Angeles
Monday, 7:00pm
Lincoln Middle School
1501 California Avenue
Santa Monica, CA 90403
310-260-9110
Chapter 7 Reading, Part 1
Hosted by Barnes & Noble. Event is free and open to the public, no tickets
needed. Pre-signed books will be available for purchase.
October 7, 2008
Boulder, CO
Tuesday, 6:30pm
Unity of Boulder Church
2855 Folsom St. Boulder, CO 80304
303-447-2074
Chapter 7 Reading, Part 2
Sponsored by Boulder Book Store. This venue seats 600. Tickets are $6 and may
be purchased at the Boulder Book Store or by calling 303-447-2074.
Minneapolis,
MN
Wednesday,
7:00pm
Saint Paul's United Church of Christ
900 Summit Avenue
St Paul, MN 55105
651-224-8320
Hosted by Red Balloon. This venue seats 1100, and is home to the St. Paul
Chamber Orchestra. Event is free and open to the public, no tickets needed.
The Graveyard Book Chapter 1 How Nobody Came to the Graveyard There was a hand in the darkness, and it held a knife. The knife had a handle of polished black bone, and a blade finer and sharper than any razor. If it sliced you, you might not even know you had been cut, not immediately. The knife had done almost everything it was brought to that house to do, and both the blade and the handle were wet. The street door was still open, just a little, where the knife and the man who held it had slipped in, and wisps of nighttime mist slithered and twined into the house through the open door. The man Jack paused on the landing. With his left hand he pulled a large white handkerchief from the pocket of his black coat, and with it he wiped off the knife and his gloved right hand which had been holding it; then he put the handkerchief away. The hunt was almost over. He had left the woman in her bed, the man on the bedroom floor, the older child in her brightly colored bedroom, surrounded by toys and half-finished models. That only left the little one, a baby barely a toddler, to take care of. One more and his task would be done. He flexed his fingers. The man Jack was, above all things, a professional, or so he told himself, and he would not allow himself to smile until the job was completed. His hair was dark and his eyes were dark and he wore black leather gloves of the thinnest lambskin. The toddler’s room was at the very top of the house. The man Jack walked up the stairs, his feet silent on the carpeting. Then he pushed open the attic door, and he walked in. His shoes were black leather, and they were polished to such a shine that they looked like dark mirrors: you could see the moon reflected in them, tiny and half full. The real moon shone through the casement window. Its light was not bright, and it was diffused by the mist, but the man Jack would not need much light. The moonlight was enough. It would do. He could make out the shape of the child in the crib, head and limbs and torso. The crib had high, slatted sides to prevent the child from getting out. Jack leaned over, raised his right hand, the one holding the knife, and he aimed for the chest . . . . . . and then he lowered his hand. The shape in the crib was a teddy bear. There was no child. The man Jack’s eyes were accustomed to the dim moonlight, so he had no desire to turn on an electric light. And light was not that important, after all. He had other skills. The man Jack sniffed the air. He ignored the scents that had come into the room with him, dismissed the scents that he could safely ignore, honed in on the smell of the thing he had come to find. He could smell the child: a milky smell, like chocolate chip cookies, and the sour tang of a wet, disposable, nighttime diaper. He could smell the baby shampoo in its hair, and something small and rubbery—a toy, he thought, and then, no, something to suck—that the child had been carrying. The child had been here. It was here no longer. The man Jack followed his nose down the stairs through the middle of the tall, thin house. He inspected the bathroom, the kitchen, the airing cupboard, and, finally, the downstairs hall, in which there was nothing to be seen but the family’s bicycles, a pile of empty shopping bags, a fallen diaper, and the stray tendrils of fog that had insinuated themselves into the hall from the open door to the street. The man Jack made a small noise then, a grunt that contained in it both frustration and also satisfaction. He slipped the knife into its sheath in the inside pocket of his long coat, and he stepped out into the street. There was moonlight, and there were streetlights, but the fog stifled everything, muted light and muffled sound and made the night shadowy and treacherous. He looked down the hill towards the light of the closed shops, then up the street, where the last high houses wound up the hill on their way to the darkness of the old graveyard. The man Jack sniffed the air. Then, without hurrying, he began to walk up the hill. Ever since the child had learned to walk he had been his mother’s and father’s despair and delight, for there never was such a boy for wandering, for climbing up things, for getting into and out of things. That night, he had been woken by the sound of something on the floor beneath him falling with a crash. Awake, he soon became bored, and had begun looking for a way out of his crib. It had high sides, like the walls of his playpen downstairs, but he was convinced that he could scale it. All he needed was a step . . .
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